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Rating: 2.5/5
Villain
from B Unnikrishnan is a movie that tries to be intellectual and
sophisticated in its presentation. But the film isn’t really trying
anything beyond the existing template. More than the content, it is the
quality technical backup this film has makes it look like an okay film.
With Mohanlal delivering a good performance as the leading man, this
thriller is a usual one.
Mathew
Manjooran is an efficient police officer in the rank of ADGP. He has
taken a break from the duty due to some unfortunate incidents that
happened in his family life. After a break of 7 months he comes back for
one day before he could opt for voluntary retirement. The film is about
one peculiar murder case that comes in front of him on the last day of
his duty and how that case proceeds.
I
have heard people comparing Memories and Grand Master sighting the
similarities. But if you compare Villain and Memories, the similarities
are higher. A sharp officer who took a break from duty due to the shock
of losing dear ones getting a chance to bounce back by investigating a
case that he only can solve is the premise in the case of Villain too. B
Unnikrishnan tries to be novel by trying to add layers to the emotional
state of antagonist and protagonist. Mathew Manjooran is saying
philosophical minimal dialogues about love, truth and many other things
and I must say that some of it didn’t make much sense in terms of
relevance in that context. The character played by Aju Varghese says he
noticed the color of the nail polish, but couldn’t check the vehicle’s
number; seriously?
B
Unnikrishnan hasn’t changed anything in its writing tactics. The
structuring of dialogues to placing of twists, nothing is really new
here to make us feel that the director is trying to improve anything in
his style, which I personally feel as a slightly outdated one. The
alternate justice element needed a better presentation and B
Unnikrishnan should find some alternate ways to show villains praising
hero. But his decision to make this film with a team of quality
technicians really helps it in looking like a fair enough cinema. The
cinematography by both Manoj Paramahamsa and N K Ekambaram gives the
thriller attire to the film. The best among the technical side in my
opinion was the background score from Sushin Shyam. The theme he used
for the loneliness of Manjooran was a really catchy one along with the
rest. 4 Musics delivers a mixture of traditional and fresh songs.
Mohanlal
has given that emotional heft to the character of Mathew Manjooran.
Even when some of the philosophical dialogues written by Unnikrishnan
didn’t make much sense, the actor’s dialogue delivery made it look
relevant. Vishal gets the role a young Malayalam actor would have got
if B Unnikrishnan was not planning to go for a South India market.
Vishal is mostly silent in the film and it is only in the climax he
speaks (can see that in the trailer). Manju Warrier is there in an
extended cameo like role. Hansika Motwani as usual is just there for
glamour. Raashi Khanna gets a fair enough character and the decision to
make Shwetha Menon dub for her was a good one. For widening the market B
Unnikrishnan roped in Telugu actor Srikanth as one of the antagonists.
Renji Panicker, Siddique, Chemban Vinod Jose and a few more are there in
the star cast who were all fine in their respective roles.
The
technical aspects of Villain are appreciable and Mohanlal carries the
character very elegantly. But cinema ultimately needs a convincing and
fresh story. In my opinion Villain has a template killer vs cop plot
which needed a better reconstruction.
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